past, current, and upcoming work
KEY RESEARCH AREAS
Eighteenth-century British and French art and material culture: dress, textiles, landscapes, bodies, and identity
Early Anglo-America: identity, race, lived experience, emotion, and the construction of a mythologized "America"
Replication as research, making, and embodied methods of understanding: eighteenth-century early Anglo-American, British, and French women's dress; Scottish kilts and kilt-making
PUBLICATIONS & PRESENTATIONS
Article: History: Journal of the Historical Association, Women and History, c.1500-Present (September 2021).
Book Review: Wintherthur Portfolio, Fall 2021
Book Review: Business History, Harvard Business School, Winter 2022
Dr Chin Kirk's academic and literary work has been featured in History, the Journal of the Historical Association (blog), Textile History, The Junto, Washington's Quill (The Washington Papers Project/The University of Virginia), Mount Vernon Magazine, What Weekly Magazine, The Saranac Review, Ellipsis: Literature and Art, The Slush Pile Magazine, The Baltimore Review, and on MountVernon.org.
Her most recent conference papers and lectures include those at the Sartorial Society Series, The University of New Hampshire, The Fred W. Smith National Library for the Study of George Washington at Mount Vernon, Yale University, and the DAR Museum in Washington, D.C.
She looks forward to presenting at the Outlander conference at the University of Glasgow, UK.*
*This event, originally scheduled for 2020, was postponed due to COVID-19.
Dr Chin Kirk is preparing a monograph based on her doctoral dissertation that attends to ecosystem of a single object: a unique purple silk gown owned by Martha Washington that was cared for and refashioned by Mount Vernon's enslaved seamstresses. She examines how the dress was a powerful site of their resistance, and a type of material currency in freedom.
Activating replication as a research methodology, Dr Chin Kirk will reproduce the original textile and gown to learn more the centuries of women who owned it, wore it, and those were forced to labor over it.
Top: Miniature of Martha Washington, Robert Field, 1801, Yale University Art Gallery. Middle: The Embarkation for Cythera, Jean-Antoine Watteau, oil on canvas, 1717, The Louvre. Bottom: Mount Vernon, watercolor, date unknown, The Daughters of the American Revolution Museum.